That was the question DC Comics struggled with in the 1950s.
The Dark Knight’s first and best female companion debuted in “Detective Comics” No. 233, cover date July 1956, in the story “Batwoman.”
Trapeze artist, motorcycle rider and heiress Kathy Kane donned cape and cowl to fight crime like her idol. Her career seemingly ended after her first mission when Batman discovered her secret identity. He warned her that if he could do it, criminals could do it as well, jeopardizing her life.
Never mind that he is the World’s Greatest Detective and not the average Gotham crook or that he could have helped Batwoman shore up her security. No, she had to know her place.
And Batwoman agreed she would retire.
Thankfully, that’s not the whole story. Even in the 1950s, Batwoman proved to be too popular to sit at home. So DC had to settle this story hole it had dug.
The premiere issue of “DC Nation” No. 0, cover date July 2018, the company’s publication to promote new projects, characters and creators alike, opens with one of the most chilling stories DC has published in years.
Blood on his hands: Batman is worse than his adversaries these days in the DCU.
In the new DC Comics miniseries, “Batman: White Knight,” the Caped Crusader’s vigilante methods have turned so brutal, an apparently sane Joker vows to defend Gotham City and stop his reign of terror.
In the current arc playing out in “Detective Comics,” a Batman from the future has stepped back to the present convinced he can prevent his timeline from ever coming into play by murdering Batwoman.
In the “Dark Nights: Metal” series, powerful, sadistic versions of Batman have escaped from the dark universe to destroy earth.